Explores how researchers used systems for recording human movement to navigate the relationship between mind and body, freedom and control, and the individual and the state.
In the early twentieth century, human bodily movement garnered interest among researchers who were convinced that understanding and controlling it could help govern an increasingly frazzled, fragmented world. Making Movement Modern traces one movement visualization technique, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. Frustrated by societies that seemed plagued by regimentation and alienation, the users of Laban-inspired systems—from artists and scientists to factory owners, politicians, lawyers, anthropologists, psychiatrists, and computer scientists—hoped to provide opportunities for individual expression while simultaneously harnessing movement to serve the needs of larger communities, businesses, and states.